Alyazia Bint Nahyan, Carrom station in motion, 2019
Mixed media on wood, 36.5 x 27.9 cm
ALN-009
Price Upon Request
A name that takes after two popular games - a classic wooden board game, paired with a modern video-game. Simple times made valuable by fun gatherings around gaming.
The shapes of the controller buttons transform into large scale wooden carrom chips. These shapes move across a shadow of multiple arrows, that present the contrast of keeping in motion or searching for direction.
Alyazia Bint Nahyan, Carrom station in motion, 2019
Mixed media on wood, 35.6 x 27.9 cm
ALN-010
Price Upon Request
A name that takes after two popular games - a classic wooden board game, paired with a modern video-game. Simple times made valuable by fun gatherings around gaming.
The shapes of the controller buttons transform into large scale wooden carrom chips. These shapes move across a shadow of multiple arrows, that present the contrast of keeping in motion or searching for direction.
Alyazia Bint Nahyan, Carrom station in motion, 2019
Mixed media on wood, 35.6 x 27.9 cm
ALN-011
Price Upon Request
A name that takes after two popular games - a classic wooden board game, paired with a modern video-game. Simple times made valuable by fun gatherings around gaming.
The shapes of the controller buttons transform into large scale wooden carrom chips. These shapes move across a shadow of multiple arrows, that present the contrast of keeping in motion or searching for direction.
Alyazia Bint Nahyan, Carrom station in motion, 2019
Mixed media on wood, 40.6 x 31.8 cm
ALN-012
Price Upon Request
A name that takes after two popular games - a classic wooden board game, paired with a modern video-game. Simple times made valuable by fun gatherings around gaming.
The shapes of the controller buttons transform into large scale wooden carrom chips. These shapes move across a shadow of multiple arrows, that present the contrast of keeping in motion or searching for direction.
Alyazia Bint Nahyan, Carrom station in motion, 2019
Mixed media on wood, 40.6 x 31.8 cm
ALN-013
Price Upon Request
A name that takes after two popular games - a classic wooden board game, paired with a modern video-game. Simple times made valuable by fun gatherings around gaming.
The shapes of the controller buttons transform into large scale wooden carrom chips. These shapes move across a shadow of multiple arrows, that present the contrast of keeping in motion or searching for direction.
Alyazia Bint Nahyan, Carrom station in motion, 2019
Mixed media on wood, 40.6 x 31.8 cm
ALN-014
Price Upon Request
A name that takes after two popular games - a classic wooden board game, paired with a modern video-game. Simple times made valuable by fun gatherings around gaming.
The shapes of the controller buttons transform into large scale wooden carrom chips. These shapes move across a shadow of multiple arrows, that present the contrast of keeping in motion or searching for direction.
Alyazia Bint Nahyan, Carrom station in motion, 2019
Mixed media on wood, 40.6 x 31.8 cm
ALN-015
Price Upon Request
A name that takes after two popular games - a classic wooden board game, paired with a modern video-game. Simple times made valuable by fun gatherings around gaming.
The shapes of the controller buttons transform into large scale wooden carrom chips. These shapes move across a shadow of multiple arrows, that present the contrast of keeping in motion or searching for direction.
Alyazia Bint Nahyan, Bon Voyage - Northwest Orient, 2017
Digital Print on Canvas, 39.4 x 30.5 cm
Ed of 3
ALN-001
Price Upon Request
When interacting with art, a unique experience takes flight. In this series, sketches based on well-known paintings combined with the commercial world of airline advertising. The mix offers deep expression on a commercial scale.
Alyazia Bint Nahyan, Bon Voyage - Pan Am, 2017
Digital Print on Canvas, 39.4 x 30.5 cm
Ed of 3
ALN-002
Price Upon Request
When interacting with art, a unique experience takes flight. In this series, sketches based on well-known paintings combined with the commercial world of airline advertising. The mix offers deep expression on a commercial scale.
Alyazia Bint Nahyan, Bon Voyage - TWA, 2017
Digital Print on Canvas, 39.4 x 30.5 cm
Ed of 3
ALN-003
Price Upon Request
When interacting with art, a unique experience takes flight. In this series, sketches based on well-known paintings combined with the commercial world of airline advertising. The mix offers deep expression on a commercial scale.
Alyazia Bint Nahyan, Bon Voyage - Martin Aircraft, 2017
Digital Print on Canvas, 39.4 x 30.5 cm
Ed of 3
ALN-004
Price Upon Request
When interacting with art, a unique experience takes flight. In this series, sketches based on well-known paintings combined with the commercial world of airline advertising. The mix offers deep expression on a commercial scale.
Alyazia Bint Nahyan, Bon Voyage - Air France, 2017
Digital Print on Canvas, 39.4 x 30.5 cm
Ed of 3
ALN-005
Price Upon Request
When interacting with art, a unique experience takes flight. In this series, sketches based on well-known paintings combined with the commercial world of airline advertising. The mix offers deep expression on a commercial scale.
Alyazia Bint Nahyan, Bon Voyage - KLM, 2017
Digital Print on Canvas, 47.5 x 35.6 cm
Ed of 3
ALN-006
Price Upon Request
When interacting with art, a unique experience takes flight. In this series, sketches based on well-known paintings combined with the commercial world of airline advertising. The mix offers deep expression on a commercial scale.
Alyazia Bint Nahyan, Bon Voyage - United, 2017
Digital Print on Canvas, 45.7 x 35.6 cm
Ed of 3
ALN-007
Price Upon Request
When interacting with art, a unique experience takes flight. In this series, sketches based on well-known paintings combined with the commercial world of airline advertising. The mix offers deep expression on a commercial scale.
Alyazia Bint Nahyan, Bon Voyage - Egypt, 2017
Digital Print on Canvas, 45.7 x 35.6 cm
ALN-008
Price Upon Request
When interacting with art, a unique experience takes flight. In this series, sketches based on well-known paintings combined with the commercial world of airline advertising. The mix offers deep expression on a commercial scale.
Alyazia Bint Nahyan, Mishmash - Drachma, 2019
Mixed media on canvas, 76.2 x 38.1 cm
ALN-016
Price Upon Request
Coins redesigned by combined symbols that range from ancient Phoenician to modern Emirati to past Islamic and others. Blending common identities while still being able to newly represent, original ways which remain upheld by renewed vitalization.
Alyazia Bint Nahyan, Mishmash - Dirham, 2019
Mixed media on canvas, 76.2 x 38.1 cm
ALN-017
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Coins redesigned by combined symbols that range from ancient Phoenician to modern Emirati to past Islamic and others. Blending common identities while still being able to newly represent, original ways which remain upheld by renewed vitalization.
Coins redesigned by combined symbols that range from ancient Phoenician to modern Emirati to past Islamic and others. Blending common identities while still being able to newly represent, original ways which remain upheld by renewed vitalization.
Alyazia Bint Nahyan, Mishmash Trails - Ubar, 2019
Marble and metal, 50.8 x 36.8 cm
ALN-019
Price Upon Request
Reasons that entice searching, is one of three; treasure trails or past knowledge or probable profit. Most of the ‘X’ marks on maps mislead searchers to empty caves.
The outline is shaped after cave openings, with a trail leading to nowhere.
Whereas the real treasure (a combination of ancient eastern coins) appears to be dug up beneath the marble, away from the misleading points.
Alyazia Bint Nahyan, Mishmash Trails - Wabar, 2019
Marble and metal, 52.1 x 35.6 cm
ALN-020
Price Upon Request
Reasons that entice searching, is one of three; treasure trails or past knowledge or probable profit. Most of the ‘X’ marks on maps mislead searchers to empty caves.
The outline is shaped after cave openings, with a trail leading to nowhere.
Whereas the real treasure (a combination of ancient eastern coins) appears to be dug up beneath the marble, away from the misleading points.
Alyazia Bint Nahyan, Mishmash Trails - Qidan, 2019
Marble and metal, 50.8 x 33 cm
ALN-021
Price Upon Request
Reasons that entice searching, is one of three; treasure trails or past knowledge or probable profit. Most of the ‘X’ marks on maps mislead searchers to empty caves.
The outline is shaped after cave openings, with a trail leading to nowhere.
Whereas the real treasure (a combination of ancient eastern coins) appears to be dug up beneath the marble, away from the misleading points.
Alyazia Bint Nahyan, Mishmash Trails - Ad, 2019
Marble and metal, 54.6 x 36.8 cm
ALN-022
Price Upon Request
Reasons that entice searching, is one of three; treasure trails or past knowledge or probable profit. Most of the ‘X’ marks on maps mislead searchers to empty caves.
The outline is shaped after cave openings, with a trail leading to nowhere.
Whereas the real treasure (a combination of ancient eastern coins) appears to be dug up beneath the marble, away from the misleading points.
Alyazia Bint Nahyan, Mishmash Trails - Iram, 2019
Marble and metal, 49.5 x 36.8 cm
ALN-023
Price Upon Request
Reasons that entice searching, is one of three; treasure trails or past knowledge or probable profit. Most of the ‘X’ marks on maps mislead searchers to empty caves.
The outline is shaped after cave openings, with a trail leading to nowhere.
Whereas the real treasure (a combination of ancient eastern coins) appears to be dug up beneath the marble, away from the misleading points.
Janet Rady Fine Art Contemporary Art Gallery and Art Consultancy based in London. Focusing on Contemporary Emerging and Mid-career International artists.